CARE AND MAINTENANCE OF WOOD CARVINGS
Wood sculptures or carvings can be a real
source of appreciation of the arts and some sculptures have been around for
thousands of years and show little deterioration. If you plan on investing in
an art sculpture made out of wood whether it be hand carved or machine carved
as with a chainsaw, then proper maintenance is a necessity to preserve your
investment and to protect it from the ravaging effects of sunlight, weather,
and just normal wear and tear associated with everyday life.
This is by no
means the only view on how to preserve a wood carving , instead it is a
compilation of some things I have learned as I have went along here on my
journey into wood carving and what appears to work for me.
First off doing
nothing at all and assuming the wood carver took care of the sculpture is
probably the biggest misunderstanding most people make. Most carvers will skip
a few things when trying to make sales at festivals, and most will claim that
they did nothing to preserve a statue , but some will not say anything at all ,
leaving it up to the buyer to take home and plop in their front yard and wonder
why their carving fell apart in a short time.
You should always
take it on your own to ask the carver or artisan to explain what he did to
preserve the statue, and on behalf of all carvers you can always check with my
website and download free information on what you need to know on how to care
for your new carving. First off you need to know where you are going to place your
new carving inside the house or outside, either way different preservation
procedures for wood sculptures exist to preserve their long life.
If you plan on
placing the carving inside, select a carving relatively free of cracks. Inquire
as to how aged the wood was that used to make the carving you are interested
in. All carvings will crack to some degree. As one carver once said when you
have a carving that doesn’t crack then call me as I need to know why it didn’t.
Next comes the quality of the carving you are buying. If it looks like someone
who is less skilled did your carving , its future value will be greatly
diminished , as a novelty it may be appropriate for your needs and it could
also have some sentimental value , whereas you may decide to keep it for some
time inside , or it may well be worth taking up a portion of your interior
space . These pieces will be more appropriate to save indoors. Whatever your
individual reason for keeping inside you must remember a few tips to help
preserve your new carving to its original finish.
Interior Sculptures
·
Do not place by heaters or air vents- this will
increase the cracking in your sculpture regardless of what finish you apply.
·
Do not place in direct sunlight without some
kind of sealant to protect against harmful ultraviolet rays.
·
Possibly choose a natural preserver as opposed
to a volatile organic compound( V.O.C.), or one of the common sealants for
outside protection , instead go for a linseed oil or some other natural wood preservative
that will protect the piece and preserve its luster or finish. I will try and
provide you with this list at the end of this guide.
·
Apply a finish only when you notice a loss of
luster or a fading of colors associated with the sculpture. A regular or annual
application will only dull a finish instead of preserving it. Less is more and don’t
fix it if it’s not broke applies most heartily to your carving.
·
Apply any finish you desire outside and under
cover to allow it to dry thoroughly before bringing it back inside your living
space.
·
Check always for any evidence of insect damage
to avoid an infestation to enter into your house. Most carvings can be treated
prior to bringing into your house with common pesticides. A test spray in a
less obvious space may be desired to assure no staining or color run will occur
when you treat the whole sculpture. This is an important consideration as most
sculptures are untreated and are prized for their imperfections. Some of these
imperfections are due to insect damage. This damage is ok as long as the piece
is treated for inside conditions. This also applies to outside sculptures.
·
The wood should be fairly well aged and the
sculpture needs to be gradually acclimated to the inside conditions. When you
bring a sculpture home and want to keep it inside then you should gradually introduce
to inside conditions as they will differ in humidity usually leaning to drier air
that will enhance the cracking of the sculpture. Maybe bring it home and place
under an eave or overhang and observe for a while, maybe placing it on bricks
to enhance drying of the base. This will also allow you time to check for
insects and treat if necessary. After the carving has set in the dry outside
for while then it can be moved indoors. Any treatment to preserve it should be
done prior to moving it inside.
·
My carvings are usually treated with Helmsman
spar urethane and are meant for use in an exterior condition. This is always in
the satin finish as it doesn't reflect sunlight and allows the true colors I am
trying to represent come through. When thoroughly dried it can be used in interior
spaces without much odor. Allowing the carving to acclimate to the conditions
inside the house is usually enough time to prevent any odor from emanating from
the carving at that point when you take it inside.
·
If you plan on applying a finish to your carving.
Test it first possibly on the bottom of the sculpture to see how it will affect
your sculpture. Will the oil or whatever you use make it a darker finish, or
will it be too glossy, or possibly make the colors run? These are all
considerations you must use when applying any finish to a sculpture.
·
When applying the finish, start at the top of
the sculpture and work down when using a brush. Also if you have colors that
might run, test with a brush and wipe your brush on a clean rag to see if they run,
if they do then apply a light coating to these areas being careful to apply
just a light coating. Let it dry a few minutes apply a second coat, then clean
brush and finish coating sculpture. Go light to dark when applying sealant to
colors as this will prevent a muddying of colors. I use a 1 inch cheap brush
and thoroughly soak the sculpture working sealant into all cracks. Multiple applications
with air spraying is recommended when using a paint sprayer. Let dry thoroughly
and observe finish to see if second coat is desired. Special attention and a
possible second coat are usually applied to the top portion of sculpture as it
is usually the first area to show cracks. This will prevent air infiltration. I
don’t usually seal the bottom of the sculpture but it may be advisable if you
plan on keeping it inside the house. These tips will allow you to keep your
carving for a lifetime regardless of what variety of wood was used in the carving.
·
If you
plan on eating off any of the wood artifacts you plan on keeping, then apply an
appropriate food grade finish. Or seek professional help if this is desired. Common
preservation techniques do not apply to carvings when used to serve food, such
as the case of using wood bowls etc.. Safety is always important.
I don’t know that there is anything of beauty that can be kept an indefinite time but I don’t see
that wood artifacts wood be much different than say silver which tarnishes, or
mason wear which chips and diminishes the value dramatically. In that respect I would say wood ages
gracefully, providing many with pleasure when used as a source of eye candy. As it
wears it begins to take on a different character never assumed by the artist. It
is unique and precious, when realized it was once a living thing and was
recycled and preserved while many parts of the same tree are forever lost.
Tomorrow I will
delve into exterior use of carvings and how to preserve them.this also applies to all carvings and can be used as a guide to help preserve your carving regardless of who the artist was that created your carving. i would appreciate any feedback or suggestions.
3 comments:
I'm hoping you can advise me, I'm not having much luck finding a satisfactory answer online. For Christmas, my grandson (17) gave me a beautiful cherry turned bowl he had made in his school art class, and my daughter-in-law gave me an astonishing beautiful pine one ('sunburst' looking grain) I had admired in a local gallery. Both appear to be rather dry, and if not now, will become dry in the future (I live in Wisconsin where we have central heating at least a quarter of the year). I'm trying to learn what kind of moisturizing substance I should use on these lovely bowls. I have lemon oil here that I use on furniture, but I'm not sure if that's the best thing to use on these. I very much appreciate any advice you can provide -- thank you! And Happy New Year!
i know i am kind of late getting back to you but didnt know quite how to answer the question. i guess you have to make a decision, and that is if you have any thought as to how you are going to use your bowls. if you are going to use them for eating, or as a ornament safely displayed on a shelf some where.
if you plan on eating out of it then you need to use something to seal and preserve it with that is non toxic and safe to eat from. i really am not aware of any that would serve this purpose and maybe lemon oil, or citrus oil may well fit the bill. the main thing is to keep it treated with whatever enough to keep a luster on the bowls, preventing it from drying out. and if you plan on using the bowls then definitely wipe the inside with a clean cloth before using as you should.
the same applies if you are going to just use it as an adornment although a spar sealer would preserve it from uv. light much better than a varnish would. for most of my carvings i recommend what the boat builders use as the boats are exposed to the harshest of environments. the spar sealers come in two forms tend to cloud(matte finish) or reflect light(clear finish). and may actually alter the appearance. i tend to prefer matte finish as it truly deepens the color and brings out the grain more.
there are other oils you can use and many subjects have been wrote about them and their purported use. tung oils , citrus oils, linseed oils , all may do well to keep your bowls in pristine condition, since they will probably be kept inside. oh and a late happy new year to you also.
I bought an expensive wooden sculpture (made from Neolamarckia cadamba popularly known as Kadam wood) recently, and wondered how best to own and maintain it. Your article was extremely useful. It seems like the sculpture will require more precaution than maintenance.
Thanks.
Samesh
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